Essential viewing: F1 2010 Developer Diary

Here’s a treat for every Train2Game student. Be you a Games Designer, Games Developer or Games Artist and Animator, you’ll find F1 2010 Developer Diary from Codemasters very interesting indeed.

Ok, so maybe you don’t like Formula 1, but even if that is the case you just have to appreciate the level of detail these developers, designers and artists have achieved and how they’ve gone about doing it.

The video takes you behind the scenes at Codemasters Birmingham and reveals the amount of painstaking work put into recreating the cars and circuits. The F1 2010 Developers have even enlisted help from Formula 1 driver Anthony Davidson who has been able to provide expert advice. In the video he says:

“Driving the real world circuits enables me to give that impression to the guys creating the game, there’s all these details that only a driver would know about.”

“For instance, turn eight in Spa; I know straight away any car I have ever driven there always understeers and it’s knowing that kind of detail as a driver that you can get over into the game. The circuits feel really spot on.”

It really is an interesting insight into the world of video game development and I really recommend every Train2Game student takes five minutes to watch it.

What do you think of the video? How would you feel about needing to conduct that much research before designing a game? Does anyone want to help develop racing games? And finally, I can’t be the only one looking forward to getting hold of this in September can I?

As usual, leave your comments here or on the Train2Game forum.

Why LittleBigPlanet 2 could be the Train2Game students dream.

LittleBigPlanet 2 will launch in the United States on November 16th. Sony have yet to announce when it’ll be released in Europe but it’s likely to be in the same mid-November slot. The follow up to the highly successful 2008 original will most likely be on the wish list of many PlayStation 3 owning Train2Game students.  Why? Well, a little lesson about the concept behind LittleBigPlanet will reveal all.

To the outsider, LittleBigPlanet may just look like your standard – if beautiful looking – 2D platformer. However, the story mode formed part of the game with, Guildford based indie studio Media Molecule focusing major parts of it around user generated content.

You see, LittleBigPlanet’s tagline was (and still is) ‘Play. Create. Share.’ and symbolised how the game was designed around the sharing of content. The simple to use, but effective, level designer allowed gamers to create their own levels and share them with the rest of the LittleBigPlanet community online. There are some amazingly creative level designs out there, with fans creating levels based upon almost anything you could possibly think of. You’re highly cute – and customisable – Sackboy could one minute be running and jumping through an impressively rendered version of the Mushroom Kingdom, before you load another community level and put him through his paces in Sonic’s Green Hill Zone. (Of course, the latter looks just that little bit better while using outfits from the official Sonic costume pack)

LittleBigPlanet’s sharing ethos meant that aspiring Game Designers – like Train2Game students – could put a level together for fun, then if it was successful, seeit played on and rated by thousands of fellow gamers. LittleBigPlanet 2 looks set to allow gamers to be even more ambitious through not only letting them design their own levels, but entire games. Demos have shown the LittleBigPlanet 2 creation tools being used to create real-time strategy, role-playing, puzzle, and racing games.

Being able to use LittleBigPlanet 2 to create whole games is something every Train2Game student – be they Game Designer, Game Developer or Game Artist & Animator – should probably be taking an interest in. For a start, using the LittleBigPlanet 2 creation tools would provide students with some great practice in building games. But that’s just the start, if someone just happens to build an excellent game that gets positive reviews from other players, it could be the start of something big. Adding ‘Created game played by over 100,000 people’ to your CV can only be a good thing, right?

So when LittleBigPlanet 2 is released – presumably in November – will you be using it to create games? Do you think it’s possible an aspiring Games Developer could use it to catapult themselves to the big time? Did you create any levels using the creation tools of the original?

As usual, leave your comments here or on the Train2Game forum. We’ll leave you with a LittleBigPlanet 2 video that was shown at Comi-Con. Are you impressed?

Polycount contest winners work to become part of Team Fortress 2

Get with it indeed.

The Engineer Update is still very much a new thing, but even more new items for Team Fortress 2 are already in the works. This time however, it isn’t Valve who’ve been the creative force behind new weapons and hats, but members of Polycount – a video game art and resource community.  (Perhaps our Train2Game Artist & Animator students should join the site if they’re not already members)

Valve and Polycount teamed up to members of the art community the chance to create items that will actually be used in Team Fortress 2. The brief went:

“Pick a single Team Fortress 2 class and create a minimum of three custom items for them. These items can be made up of any combination of weapons (melee, primary, secondary), Engineer buildings and/or hats. These items must be cohesively themed and fit within the Team Fortress 2 universe and time period. Make sure your replacement item set maintains the existing functionality of the original items they’re replacing, specifically any Primary, Secondary or Melee weapons you replace in your set.”

The content received an overwhelming response with over 70 sets – that’s at least 210 items – submitted by artists and designers. Now, Valve have managed to judge the entries and have selected five item sets that will eventually be released into Team Fortress 2. That’s after Valve work out how they’ll “attach gameplay attributes (probably of a game destroying nature) to these items.”  – Yeah, that quotes taken directly from the Team Fortress 2 blog!

which Polycount item sets will soon be available to all Team Fortress 2 players then?  Well, they are a heavy duty Tank Buster pack for The Soldier, a Milk Man themed item set for The Scout, 1950’s Gas station attendant gear for The Pyro, a nifty Saharan get up for The Spy, and finally ‘The Croco-Style Kit’ for The Sniper.  All of the items look very impressive and you can feast your eyes on them by visiting the Team Fortress 2 Polycount Pack Winners page.

Of course this isn’t the first time Valve have encouraged other Game Designers, Game Developers and Game Artist and Animators to contribute to their projects. After all, Counter Strike started as a community run fan project, while Portal was originally developed by students. Aspiring designers have already seen their maps and items become official in previous Team Fortress 2 updates thanks the Contribute! initiative.

Regular readers will know that this isn’t the first time I’ve praised Valve’s scheme and encouraged Train2Game students to get involved. It really does seem like it would be a good idea for Train2Game Designers to produce something. After all, you could strike it lucky and end up seeing your hard work on display in a game played by millions of people worldwide. Even if your items don’t get into the game, time practicing designing items can only be useful to your future career in the games industry.

So, what do you think of Valve’s enthusiasm for community developed items? Do you think you’ll be getting involved? How many of you play Team Fortress 2?

As usual, leave your comments here or on the Train2Game forum.

All Train2Game students should appreciate Dragon Age: Origins

The first details of Dragon Age 2 have come to light today with US magazine Game Informer featuring some impressive artwork on its front cover. In this writers view Dragon Age: Origins was last years top RPG and it still continues to be a very impressive game. Why? The storyline, the setting, the characters and the dialogue are all extremely impressive, making Dragon Age a game that all Train2Game students – be they Games Designer, Games Developer or Games Artist & Animator – should take notice of. This is especially true of the Games Designers, the people who’ll be writing stories of future games. Though Games Developers and Games Artist & Animators, feel free to read on!

I’m a veteran of Japanese Role Playing Games; there isn’t a Final Fantasy title I haven’t played (Discounting handheld releases.) However, despite my interest in all things fantasy, until earlier this year I hadn’t played a traditional Dungeons & Dragons or Lord of the Rings style RPG. This is despite being rather tempted by World of Warcraft in the past.

I started Dragon Age: Origins for the second time last Friday – that’s six days ago now – and I’ve already managed to spend over 24 hours playing it at the time of writing. Why is this? Well, partially there’s the classic ‘Just one more level/dungeon/search for loot’ factor, but Dragon Age is massively helped along by the fact that the Bioware created Characters just seem so real. This isn’t necessarily graphically, but when it comes to their different personalities, emotions and beliefs, it really feels like you’re engaging in dialogue with a real person

Your companions react realistically when in conversation with your character, no matter what option on the expansive dialogue trees you choose. They can react positively or negatively to not only what you say, but your choices as to how you complete quests in the open world of Ferelden. The sheer amount of effort the Games Designers and writers must have put in to all of the different outcomes is amazing. Of course, we mustn’t forget the Games Artists & Animators who provided Dragon Age: Origins with its look, or the Games Developers that programmed the game.

As I mentioned above, I’ve played plenty of RPG’s but none of them have drawn me in as emotionally as Dragon Age. The clue is in the genre title really – Role Playing – and I’m playing the role of a human female (as opposed to an elf, or a dwarf, or a male) Rogue. I’m starting to think that because of Biowares excellent character development I’m currently being overly consumed by my role.

Don’t worry, I don’t think I’m a red haired noble woman who’s good with a sword and a dagger – If I did I’d probably be locked away in a ‘safe place’ right now, but the combination of the Dragon Age approval system, and  the characters emotions and morals,  mean I’m really having to think about what dialogue options I choose.

This has actually gotten to the point where interactions with one of my party, Alistair, have gotten somewhat awkward. The reason being that he approves so highly of my character he keeps trying to chat her up. And while party members can become engaged in Romance or *ahem* sex, I’d rather my character didn’t get too involved with Alistair. So why is this awkward? Well, to put it bluntly I want my character to let him down gently but at the same time I don’t want to make him feel bad. This is partially because a reduction in approval will make him slightly less use in battle, and partly because he just comes across as a real person with real feelings. Now I know how girls I’ve awkwardly tried to show interest must have felt like…

What was my point? Oh yes, the fact the characters just seem so believable. They really do draw you in.  Dragon Age: Origins really is a brilliant game, and the Games Designers really deserve all the accolades they receive. If you haven’t already, I really recommend playing Dragon Age yourself in order to witness how an epic game should be designed.

So you budding Games Designers (And Developers, and Artists & Animators) How important are characters and storylines to you? Do you think you’d like to attempt anything on the scale of a massive RPG like Dragon Age? Or would you prefer to produce smaller titles?

As usual leave your comments here, or on the Train2Game forum.

Developing for the disabled gamer

Last Thursday, I had an unfortunate incident on my bicycle which resulted in a strapped up broken finger and the misfortune of needing to wear a sling for a few days. Naturally, this caused me some problems – I could only type using one hand making updating this Train2Game blog and the Train2Game Twitter account a slow affair, cooking became a pain, and worst of all I was extremely limited to what video games were available to keep me entertained over the weekend.

With only one functioning hand, it was impossible to hold a console controller which meant continuing my ride through the American west with Red Dead Redemption was out of the question. It also meant that I couldn’t get my usual fix of Team Fortress 2 on the PC, after all a person needs to move by pushing keys with the left hand and look around by using the mouse in the right. (Or indeed, doing this the other way around if you’re left handed) Thankfully, I managed to keep myself from going crazy in a temporarily game free world thanks to the point and click interface of Dragon Age: Origins which kept me happy for hours on end.

Thankfully I’m out of the sling now and though I still can’t hold a PlayStation controller due to my fingers remaining strapped together, I’m back to happily fragging my clan mates on Team Fortress 2 online servers.

Luckily for me, not being able to play any video game I want is a temporary issue. Unfortunately for the significant minority of people who have disabilities, not being able to play a wide variety of different games is a permanent problem.

However, slowly but surely this tide seems to be turning, with small groups of Games Designers, Games Developers and Games Artist & Animators working with scientists to provide research into – and create – video games for those with disabilities.

Last year, Duke University in North Carolina conducted research into modifying Guitar Hero that allowed it to be played by man with an amputated arm. BBC News reporter Flora Graham explains how it works better than I ever could.

“To play the game, users wear electrodes on their residual muscles, such as those found on their chest and shoulder. The system translates the signals from the electrodes as if they were coming from the game controller, allowing players to strum along, despite not having any hands.”

The researchers also realised that the movements in the game were similar to those required when learning how to use a prosthetic limb, essentially meaning Guitar Hero could in theory be used to teach people how to use their new arms.

In May this year, a video game project called VI Fit was revealed that allows blind gamers to keep in shape. Researchers at the University of Nevada modified a Nintendo Wii for the project which according to Gamesradar;

“Features two games – VI Bowling and VI Tennis – and both can be downloaded for free at vifit.org. The game utilizes Wii remote controllers and a Windows PC with Bluetooth support. Players are instructed throughout the game with the use of both audio and vibrotactile cues”

EA have even got involved with developing games for the disabled, by helping VTree LLC, create a Madden powered title called My Football Game for players such as injured war veterans with physical difficulties.  These are just a handful of a variety of projects that aim to develop games for those with disabilities, there are plenty more of them out there too!

There is a significant audience of disabled people– and according to Popcap, they make up 20% of ‘casual’ gamers – who just want to enjoy their hobby in the same way that the rest of us do. It raises an important issue for Train2Game students, be they Games Designer, Games Developer or even Games Artist & Animator – Do you consider the needs of disabled gamers when you create your games? Or would you like to work on a game designed to be played especially by those with disabilities?

I’m very interested to hear your thoughts on this once, so as usual, leave your comments here or on the Train2Game forum.

A useful podcast for Train2Game students

As I was on my way into the Train2Game office this morning, I was partaking in two usual activities – doing my very best not to get run over and  listening to the latest gaming news podcasts in order to write relevant and interesting blogs for you Train2Game Games Designer, Games Developer and Games Art & Animation students.

This morning, I was listening to the GameSpot UK podcast which this week is especially relevant to Train2Game students? Why? Because it features video game script writer and narrative designer Rhianna Pratchett. She’s a veteran of writing scripts for games which include Mirror’s Edge, Heavenly Sword, and the Overlord series.

In the GameSpot UK podcast she talks about writing dialogue and narrative for games, incorporating humour and how she broke into the field of Games Design.

So, Train2Game students, I highly recommend that you listen to this weeks GamesSpot UK podcast if you want a useful incite into the industry. Rhianna starts talking about Games Design about 25 minutes into the programme.

As usual, leave your thoughts here or on the Train2Game forum.

Train2Game’s 2nd Webinar Part Six

In Part 6 of the 2nd Train2Game Webinar the panel discuss if there is a definite, lucrative market for small non-AAA indie titles and if having no formal qualification will affect your employment prospects after finishing a Train2Game course?

Key quotes include:

Tony Bickley on the importance of good English when pitching your ideas –  “If a pitch or a presentation comes in with text speak, it’s not going to get very much air time, if they can’t speak they can’t communicate.”

Pete Hickman on the importance of good communication when pitching your ideas – “I think if the standard of written English isn’t very good in the presentation, quite often presentations go to an acquisition or an A&R person and he, or she, will to demonstrate those to the board or the senior management of the company and they won’t take them seriously. It’s a terrible thing to say, you might be the most creative person in the world but unless you can communicate your ideas effectively and clearly, it’s very difficult to break into a company.”

Game Pitches – A useful tool for Train2Game students.

The pitch for Fallout 2 is one of many available

So, as a Train2Game student, you’re learning new skills and you’re well on your way to becoming a Games Designer, Games Developer or Games Artist & Animator.  Perhaps you’ve got together with other students, formed a studio and have a great idea for a game, but  you don’t quite know where to start when it comes to designing and pitching it…

Never fear, Game Pitches is here to help you! What is Game Pitches you ask? Well it’s About page answers that better than we can;

“Welcome to Game Pitches! This site serves to be a free resource to game designers offering them the web’s largest single collection of game design documents and game pitches. Be they famous or obscure, big or small, successful or not, this site is intended to be a resource for learning how better to design and pitch games in the spirit of sharing information and improving the state of the art through freely available knowledge. Let’s make great games”

It certainly sounds useful doesn’t it? And there are some rather interesting design documents on the site which were used to pitch what became successful titles. One of the more recent examples is the original pitch document for Bioshock, but the website also contains useful design documents about older, classic games such as Fallout 2.

Game Pitches really does make interesting viewing as it’s evident that so much effort just has to go into design and artwork just for a pitch document, let alone the job of actually developing a game!

So take a look, do you think Game Pitches will be useful? What do you think of the design documents for other games?

As usual, leave your comments here or on the Train2Game forum.