Train2Game News Northern Exposure

Secret Sauce, producers of Northern Exposure, are thrilled to announce their day-long games event will return for its third instalment on the 27th February at the Northern Design Centre in Gateshead’s thriving digital quarter.

Cumron Ashtiani, Founder at Atomhawk, will be speaking at February’s conference and said “I’m delighted to have been asked to get involved in the latest Northern Exposure event. October’s event was a great opportunity to meet and discuss ideas with so many people who are passionate about the games industry. I’m looking forward to returning in February to follow up on my previous talk about the highs and lows of growing a business and to meet with more great people”.

Northern Exposure will be partnering with UKIE to deliver a well-rounded day of discussions including a keynote courtesy of Dr Jo Twist OBE, CEO at UKIE. She said, “The games industry all over the UK is of vital importance to the creative industries and tech economies in the UK, but also globally. Northern Exposure is a great opportunity to discuss how we can continue to grow by helping local studios and developers access the opportunities the global digital economy offers, as well as inspire new ideas that will shape the industry in the years to come.”

The Northern regions of the UK have a long and proud history of excellence in the games industry and Northern Exposure is a celebration of regional success, as well as an opportunity for local studios and developers to hear from national and international industry experts.

“It’s wonderful to see the local games community come together for Northern Exposure; this is our third instalment and the talks are always super inspiring and informative”, said Katy Reilly, Project Manager at Secret Sauce. “Northern Exposure emulates the region’s famous GameHorizon Conference by bringing together local speakers as well as guests from the wider games sector. It’s a pleasure to produce an event like this and put focus on creating something which is valuable to the community and shines a light on what’s happening in the region.”

This one-day event features talks from business owners, industry leaders, professionals and experts, sharing personal stories of success, failure and lessons learned. Hear expert tips and nuggets of knowledge to inspire your own business and games. There are plenty of opportunities to network throughout the day, followed by a drinks party in the evening.

Bob Makin, Managing Director at SockMonkey, will be making a return in February to host the event and guide attendees through a full day of exciting talks and discussions. “It’s great to be asked back to host Northern Exposure again” said Bob, “we’ve got such a fantastic gaming and interactive scene up here in the North East. It’s wonderful to have an event where we can shout about what we do up here and all the great games that are developed by ridiculously talented people. I can’t wait!”.

Secret Sauce is also delighted to welcome Escape Technology on board as Networking Sponsor for Northern Exposure; Neil Parmar, Account Director at Escape Technology said, “events like Northern Exposure are vital for the continued development of the games industry. We’re thrilled to be a part of the community and look forward to sharing our insights into creative CG technologies”.

Early bird tickets are available now at £25.00 which is a whopping 50% discount on the general admission tickets. Be quick though, as the early-bird offer ends on January 27th.

Tickets can be purchased through the eventbrite page: https://northexpo2019.eventbrite.co.uk

Keep up to date with future announcements on the website: www.north-expo.co.uk

Train2Game News Ukie 30 Years Of Play

Ukie has launched 30 Years of Play, a major campaign for 2019 marking the trade body’s 30th birthday year, making it the oldest games trade body in the world.

The campaign celebrates the past, present and future of the UK’s games and interactive entertainment sector through a year long calendar of content, events and activities.

The campaign will tell the stories of the UK games industry, from its early roots, through the 1980s when Ukie (then ELSPA) was created, to the present day.

It will reveal some hidden stories and create a home for previously unseen archival materials revealing the past few decades of the political environment for games, as well house key events celebrating the major achievements of the sector and the people who have made it.

The 30 Years of Play campaign will include:

  • A dedicated microsite – 30yearsofplay.uk – hosting content detailing the history and stories of our sector, as well as information about events and other campaign news.
  • A podcast series that explores the stories behind leading UK made video games – such as Rome: Total War, Football Manager, Monument Valley, Fable and more – and the wider critical or cultural impact they had.
  • Key events throughout the year, including an event to highlight best-selling games in the UK over the last three decades, a gala dinner to celebrate Ukie’s birthday and appoint a new generation of video game ambassadors at the Westminster games day.
  • Opportunities for industry partners to contribute content, events and activities through an official partnership scheme.
  • Creating a digital archive for important interactive entertainment documentation to help preserve the history of our genre.

The campaign launches officially on Monday 21th January and will run until the end of the year.

Dr Jo Twist OBE, CEO of Ukie, says:

“The 30 Years of Play campaign is an opportunity for the industry to come together and tell the stories of the positive impact people and games have had on our economy, on our culture, on lives, and on society.

As the oldest games trade body in the world, we also want to dig in our own archives – three decades of publications, government reports, correspondence – to see what has changed and how far we have come as a responsible, creative, innovative and self-regulating industry. We would like to have as much of the UK sector – companies and individuals – to join in and share their stories too.”
Noirin Carmody, COO Revolution Software and Chair of the Ukie Board of directors added:

“Although this campaign is timed to coincide with Ukie’s 30th birthday, its aim is to reflect how our thriving industry has succeeded because of decades of hard work from thousands of talented, passionate individuals. From the pioneers of the 1980s through to the current generation driving the sector forward today, we want to shine a spotlight on the bright and brilliant people who contributed, and continue to contribute, to the success of our sector.

And in doing so, we want to bring that creativity and passion to a new and diverse generation, driving our sector to ever greater economic and cultural heights.”

Train2Game News Almost a Third of Students Want To Join The Creative Industries

Ahead of the UCAS deadline, new research has revealed that 71% of the future workforce, aged 16-25, have a passionate desire to join the UK’s fastest growing industry – The Creative Industries.

This sector is now worth a massive £101.5bn GVA to the UK economy, and with this growth one-fifth of all UK students are choosing to pursue roles in the industry over other sectors, according to the research, released by Escape Studios.

Despite this, 40% of students feel that they haven’t received enough information from teachers and careers advisors around the opportunities available to them within the creative industries – even though an estimated 1.2m creative workers are needed in the UK by 2022.

Confusion around the economic climate is creating extra pressure for students. 66% of 16-25 year olds surveyed revealed they believed their parents were more likely to push them into ‘traditional’ career options, such as accountancy and engineering, over a creative career path. In contrast to this sentiment, 43% of parents confirmed they would be more likely to steer their children towards more ‘traditional’ jobs, due to the economic uncertainty.

Parents seem to be one of the biggest barriers to entry into the industry, with over one-third of parents and guardians stating they would not be happy with their child pursuing a creative career – a 15% growth from research commissioned in 2018 – suggesting a growing lack of support and disconnect between parents and students.

Mainstream education fails to support creative talent within classrooms

Although there is a desire amongst students to pursue creative careers in Game Design (30%), VFX (21%) and Game Art (13%), our study reveals that support is lacking within the classroom. According to students aged 16-18 years old, one-third (33%) surveyed do not have a good understanding of the careers available in the creative industries, with 41% of 19-25 year olds agreeing they didn’t receive adequate careers advice.

The lack of advice and support offered in schools means one in three 16-18 year olds haven’t considered taking qualifications in the creative industries – despite employment within the industry itself predicated to grow by 5.3% over the next six years, double that of the average rate of employment, which will rise by 2.5%.

Escape Studios current student Maddison Gould comments; “Schools need to work harder when educating the future workforce about possible careers in the creative industries. The UK is brimming with talent; for example our art classes could hold a hub of future VFX designers. Teachers and career advisors should consider ‘less-traditional routes’ when offering information about employability in the creative industries, to ensure students who’re lost when choosing their options have a wealth of various career routes available.”

Parents are ‘out of touch’

Despite 35% of parents revealing they would not be happy if their child pursued a creative career, over a third of those surveyed stated they did not have a good understanding of the career options available within the creative industries. Showcasing a lack of support and education for parents around options for students in this booming industry.

Parents state that they would be happier if their children chose career options in industries such as Healthcare (14%), Engineering (14%) and IT (13%), even though the creative industries can offer many lucrative job opportunities.

A future Britain needs to become creative to succeed

Between 2010 and 2017, the creative industries grew by 53.1% and is predicted to continue growing despite economic uncertainty. In particular, the gaming sector now accounts for more than half of the UK’s entire entertainment market – more than video and music combined. Research from Escape Studios shows that a third (30%) of students would like to work in Game Design.

Despite all of this, students (30%) and parents (34%) still believe that Art and Design is one of the least important subjects they can take at school. Therefore, it’s imperative that schools better themselves in educating students, as it’s the future workforce who’ll help to build the continuously growing creative economy.

Dr Ian Palmer, Director of Escape Studios comments;“The creative industries continue to grow at a substantial rate; despite this, not enough students are aware of the opportunities available to them within the sector. However, we are thrilled to see that such a high percentage of UK students are showing an interest in creative careers. To support the continuing success of the UK’s creative industries, we need to take a bottom-up approach to nurture future talent. We can do this by creating an environment to inform students and their parents of the career opportunities in the creative sector and provide more support for careers advisors.”

Train2Game News Jagex hits several milestones on 18th Birthday

Jagex has revealed today that on its 18th birthday the RuneScape franchise has reached an all-time high, soaring above the previous 2008 peak, following expansion on to mobile.

The successful launch of Old School RuneScape on mobile and early testing of RuneScape mobile has boosted subscriber levels to well above the 1million mark. During its strongest year to date, Jagex achieved a number of significant milestones:

  • More than 5million installs of Old School RuneScape on iOS and Android since launch
  • The RuneScape franchise achieved the highest ever paid membership total in its history over the Christmas period, surpassing previous record set in 2008
  • Cumulative lifetime revenue for the RuneScape franchise passed $1billion
  • Monthly active users more than doubled over the year with big gains in the last quarter
  • Highest ever attendance for annual player convention RuneFest
  • More than 100 new hires were added to the Jagex team

Phil Mansell, CEO, Jagex, said:

“2018 was a fantastic year for our RuneScape games, which have truly come of age. The franchise has been growing consistently for five years, and we’ve seen a surge of further community growth with the move to mobile. Old School RuneScape’s successful mobile launch was made possible by our incredible team who’ve been able to make this classic game play smoothly in a mobile form-factor, and which allows players to enjoy the convenience of completely interoperable PC to mobile cross-play. This achievement showcases our living games philosophy; bringing deeply engaging community experiences to players wherever they are.

“We find that the more we listen to, engage with, and empower the community the more if fosters a true connection; with each other and with the games. The big increases we’re seeing in both membership and active users show that we’re not only able to bring new players into RuneScape but we’re able to offer the kind of rich, evergreen content that keeps them engaged for the long term.

“With this success we’ve continued to increase investment levels to expand our games, as well as bringing in a slate of hugely talented people to join us in development, technology and publishing.”

Industry veterans Nick Beliaeff, SVP Development, and Rob Cordero, VP Technology, were added to the Jagex executive team in 2018, and will continue to build their departments in 2019 that will be focused on delivering more great content to RuneScape and Old School RuneScape players, further improving the game experience and expanding Jagex into new areas.

John Burns, SVP Publishing, Jagex, said:

“A number of initiatives really hit the mark for us in 2018, and we’ll be using all of our learnings from these activities to deliver even more this year. Our ongoing commitment to delivering bigger and better content begins this week with the first of three significant Old School RuneScape content updates, Kebos Lowlands, we continue to work on developing RuneScape on mobile and a number of other exciting plans are in the works. Coupled with the strides we’re making with Jagex Partners, 2019 looks set to be another great year for the company.”

Jagex Partners, which will deliver live game publishing and operational services tailored specifically to the needs of third-party studios, was launched in 2018. Development also continues on internal projects, including the mobile version of RuneScape which will soon join Old School RuneScape on iOS and Android devices. The game is currently in early testing. One membership subscription gains players access to expanded features and content in both flavours of RuneScape.

More news about Jagex Partners and the mobile version of RuneScape will be revealed soon.

Train2Game News Video Games Industry Worth Over Half of UK Entertainment Market

The video games sector now accounts for more than half of the UK’s entire entertainment market, according to a new report.

The industry is worth £3.86bn – more than double its value in 2007 – said the Entertainment Retailers Association (ERA).

That makes it more lucrative than video and music combined.

The success is largely down to three games: Fifa 19, Red Dead Redemption 2 and Call of Duty: Black Ops 4.

The games market has grown, despite the fact that the physical console and PC games market shrank slightly in 2018.

Chief executive of ERA, Kim Bayley said: “The games industry has been incredibly effective in taking advantage of the potential of digital technology to offer new and compelling forms of entertainment. Despite being the youngest of our three sectors, it is now by far the biggest.”

Three games – Fifa 19, Red Dead Redemption 2 and Call of Duty: Black Ops 4 – each sold more than one million physical units in the UK during 2018.

This is all the more impressive when you realise that these games were all released in the latter part of the year.

The figures do not take account of the success of mobile and free games such as Fortnite, however, which has more than 200 million players around the world.

Mass market entertainment

Piers Harding-Rolls, head of games research at IHS Markit said: “During the last five years the games sector has benefited hugely from the mainstream adoption of games apps on smart devices, and the transition from physical distribution to digital distribution in established parts of the market such as console gaming.

“Games are now truly mass market and a very important part of the entertainment sector.”

He added: “Growth has been fuelled by the dominance of free content and in-game monetisation, which expands the adoption of games but also removes the cap on spending for those gamers that are really engaged in the experiences.

“The flexibility of interactive content means it is unique in that it can be monetised in this way, which is an advantage over other forms of entertainment.”

Source: BBC News

Train2Game News Track and Build with Jägermeister

Jägermeister has launched an exciting new initiative in the video games space, teaming with award-winning cinematic bass duo Koven for the ‘Track and Build’ competition.

‘Track and Build’ – which opens today – will search for a games studio to work with Koven on an exclusive track for one of its games.

Indie studios who have a game which will be ready for release in 2019 are invited to enter the competition for free.

Submissions are being taken via www.trackandbuild.io with the entry period closing on February 15th2019, when the shortlist of games will be revealed. The winning studio will be announced at the end of February and will have the unique opportunity to have a game track produced by Koven.

London-based cinematic bass duo Koven is the production alias of producer Max Rowat and Katie Boyle. Within the games industry they are best known for creating the track ‘My Love’ for Rocket League, as well as the trailer music for Driveclub.

“We’re incredibly excited about the Track and Build competition, as it represents our first steps into the games sector,” said Jägermeister’s Music Manager Tom Carson.

“Thanks to our friends at Koven, we can offer a games studio the unique opportunity to have a track created for them by artists who have already made a name for themselves in the genre through their work on Rocket League.”

Koven added: “This is such a mad and exciting opportunity for us to be a part of, and for anyone who we end up working with! We are so pleased to be involved and look forward to going through the entries.”

Jägermeister will announce a further element to the Track and Build competition in the New Year when it will engage with the composer community on the initiative.

To find out more about Track and Build and to enter, visit www.trackandbuild.io.

Train2Game News The Sandbox wants your Art

Pixowl, a leading creator of world building experiences that was recently acquired by Animoca Brands (ASX: AB1), announced today that its forthcoming decentralized blockchain gaming platform, The Sandbox, is launching a massive $2 million USD Creator Fund to support artists around the globe making and sharing amazing creations on its platform.

The Sandbox is a community-driven platform where creators can monetize voxel assets and gaming experiences. The Sandbox has already achieved 40M installs and 1.2M monthly active players on mobile, and Pixowl will soon launch a decentralized version built on the blockchain, which will allow PC and Mac users to monetize the non-fungible tokens (NFTs) they use in the game. The Sandbox for blockchain aims to disrupt the market by providing the first blockchain platform offering the large community of creators its own NFT builder gaming ecosystem.

“With The Sandbox, we are developing the first User Generated Content NFT marketplace and providing a decentralized future for content discovery,” said Arthur Madrid, CEO and Co-Founder of Pixowl and The Sandbox. “Our new Creator Fund offers an attractive option for creators to really own their assets while benefiting through publishing their creations on our platform.”

In The Sandbox, any creative person can make their very own static or animated voxel objects. It’s as easy as using children’s toy building blocks, and the creative process is aided by the platform’s powerful, intuitive VoxEdit tool that will allow anyone to create and animate NFT objects from scratch or import existing creations.

For the first time, creators will be able to publish their voxel creations on the blockchain as NFTs, virtual tokens ensuring digital scarcity, security and authenticity without the limitations of central control. Models made by artists will be unique and their scarcity provable on the blockchain in perpetuity, allowing them to be freely and securely traded in The Sandbox as well as on third-party NFT marketplaces including OPSkins/WAX, a leading NFT exchange, and many others. With true ownership of their NFTs, creators will hold a vested interest in success of The Sandbox.

“The combination of the Creator Fund and our VoxEdit toolset provide an incentive for artists to get into The Sandbox early, potentially making their NFT assets the go-to models in their respective category,” said Arthur Madrid. “We want to fast track our vision of a voxel building platform online, as titles like Minecraft and Roblox have shown that creators of all ages can build online user generated content beautifully and at scale—anyone can build a ‘digital LEGO’ with almost no learning curve or special skills.”

The Sandbox’s Creator Fund is an initiative supporting all talents without any distinction of age, sex or country of origin. The fund will predominantly be used to reward and incentivize artists to submit original voxel models via grants on a per asset basis. Artists will be able to register to qualify for grants, submitting their voxel models to The Sandbox team for approval. The Creator Fund is a revolving fund that will be replenished using transaction fees from the game’s Marketplace, scheduled to launch in Q2 2019.

Artists can visit fund.sandbox.game to sign up today to get notified when the Fund begins accepting applications.

Voxel artists and creators are invited to learn more about VoxEdit at sandbox.game/editor and get involved into the community through The Sandbox Discord channel at discord.gg/vAe4zvY. Community members will be considered for early access to the first public beta of VoxEdit, expected to launch before end of year.

Further details on the Creator Fund will be unveiled on the company’s Medium channel at medium.com/sandbox-game in the future.

Train2Game News UK Video Game Industry Union

The Independent Workers Union of Great Britain (IWGB) is launching the first ever branch for workers in the UK’s video games industry, in an attempt to tackle the wide-scale exploitation now common in one of the fastest-growing sectors in the UK economy.

The creation of the Games Workers Unite branch will not only make the IWGB the first union in the UK to represent games workers, but one of the first anywhere in the world.

Among other issues, the branch will look to tackle:

  • The use of excessive, often unpaid overtime, commonly referred to as “crunch”, where some workers have been reported to work as much as 100 hours a week
  • The use of zero-hours contracts, especially among Quality Assurance (QA) testers.
  • The industry’s lack of diversity and inclusion, as well as its failure to tackle the pervasive culture of homophobia and sexism.

The inaugural meeting of the IWGB’s Games Workers Unite branch, which will include the election of branch officials, will be held on 16 December. The IWGB expects hundreds to join the branch in the first few months.
The branch will be open to all past, current and soon to be workers in the video games industry, except those with hiring and firing power. The branch will include contract, agency and casual workers, as well direct employees.

The UK video games industry is the largest in Europe, with approximately 47,000 workers, according to UKIE.

Game worker and founding member of the IWGB’s Games Workers Unite branch Dec Peach said: “For as long as I can remember it has been considered normal for games workers to endure zero-hours contracts, excessive unpaid overtime, and even sexism and homophobia as the necessary price to pay for the privilege of working in the industry. Now, as part of the IWGB, we will have the tools to fix this broken sector and create an ethical industry where it’s not only big game companies that thrive, but workers as well.”

IWGB General Secretary Dr Jason Moyer-Lee said: “The game workers’ decision to unionise with the IWGB should be a wake up call for the UK’s gaming industry. The IWGB is proud to support these workers and looks forward to shining a massive spotlight on the industry.”

The IWGB is the leading union for precarious workers and workers in the so-called “gig economy”. It has led campaigns and strategic legal action against companies such as Uber, Deliveroo and CitiSprint.

Train2Game News London Games Festival 2019 Return

The London Games Festival will return in 2019 with an extended run and bigger events from 2 April to 14 April across the city.

London Games Festival, backed by the Mayor of London with funding of £1.2m over three years, seeks to make London the games capital of the world. It is delivered by Games London, an initiative from Film London, the capital’s screen industries agency, and video games trade body Ukie (The Association for UK Interactive Entertainment).

Over 65,000 people attended 40 different events across 20 different venues during the 2018 festival. LGF has more games on show than any other global games event with nearly 400 games to play across its events. The Festival has also established itself as a platform for global business in games, connecting attendees with investors to secure deals worth nearly £20m in potential business last April.

The 2019 event will see the return of tentpole activities for the public, including the headline-grabbing Games Character Cosplay Parade and an expanded Now Play This at Somerset House, which will reach more attendees than ever. Overall the festival will provide a wider programme of outdoor events and an even bigger offering for the games developer community – while some of its core programming will focus on the impact games are having on culture, health and the wider creative industries.

Justine Simons OBE, Deputy Mayor for Culture and Creative Industries, said: “The creative industries are key to our success as a global city and the games industry is a thriving sector bringing jobs and investment to the capital. With the Mayor’s support, the London Games Festival has established itself as a global showcase for London’s cutting-edge games industry and once again shows that the capital is open to innovation and business. I’m delighted that the festival will return bigger and better than ever in 2019.”

Adrian Wootton, CEO of Film London and the British Film Commission, said: “The rapidly expanding global games industry delivers vital growth into the UK and London economies as a key, cutting edge component of the phenomenally successful creative industries. Through Games London, we are committed to cementing London’s status as a games leader, working to attract over £40m of potential investment into games businesses over the next three years. The London Games Festival is a key moment in celebrating and showcasing this success, bringing together the brightest and best talent and enabling major new business opportunities.”

Dr Jo Twist OBE, CEO of Ukie and Mayor of London Cultural Board Ambassador, said: “Games and interactive entertainment are an increasingly important part of the creative and cultural offer of London, our capital city. Games London is a hugely valued programme which showcases the talent, innovation and creativity of the sector from across the UK, and demonstrates the impact of what we make on the economy and culture. There is something for everyone at this year’s London Games Festival, which pulls together 12 days of play, with events and hands on fun for families, for fans, all over the city, as well as opening up a critical business focus through the Games Finance Market.”

Highlights of London Games Festival 2019 include:

  • The return of the LGF HUB (Tuesday 2 April and Wednesday 3 April) featuring showcases of start-ups and prototypes, workshops and summits on Games Impact, Games Culture, Convergence and Online Live Games
  • The return of Now Play This at Somerset House, a festival of playful work and experimental game design which is set to be expanded for 2019 after a popular event in 2018
  • The fourth Games Finance Market (Wednesday, 3 April and Thursday 4 April) the only event of its kind in the UK, connecting 60 games studios with 60 global games investors
  • A second phase of Ensemble, Games London’s exhibition profiling key UK-based BAME games talent
  • Games Character Parade (Saturday, 6 April) featuring a parade of cosplayers at key London locations alongside a day of family-oriented activities

Games London is also proud to have internationaly renowned global partners delivering further events during the festival including:

  • London’s largest games event EGX Rezzed (Thursday, 4 April to Saturday, 6 April), a showcase of PC and indie games at Tobacco Dock
  • The BAFTA Games Awards on the evening of Thursday, 4 April

Applications are now open for developers and industry professionals looking to take part in London Games Festival and the wider Games London programme – including the Games Finance Market and Pitch Bootcamp, the second phase of BAME exhibition Ensemble and an upcoming outbound mission to Slush in Helsinki, Finland in December.

Find out more at www.games.london and follow @londongamesfest for more updates over the coming weeks and months.

Train2Game News The journalists YOU want to be friends with

The winners of the first Games Media Brit List Awards were revealed last night at a fun-filled ceremony in Shoreditch, London.

The new awards event celebrated the very best in games writing and broadcasting, and attracted nominations from across the spectrum of the games media – from specialist consumer journalists, B2B reporters, eSports presenters, YouTubers, streamers, media brands, national media reviewers and more.

The winners were:

BEST CRITIC
Christian Donlan – Eurogamer

BEST REPORTER
Ben Barrett – Freelance

BEST FEATURES WRITER
Tamoor Hussain – Gamespot

BEST VIDEO PRESENTER
Chris Bratt – Eurogamer

BEST STREAMER
Eurogamer

PODCAST/RADIO SHOW
Adam Rosser – Radio 5Live Game On

BEST PRINT EDITORIAL TEAM
Edge

BEST ONLINE EDITORIAL TEAM
Eurogamer

BEST VIDEO PRODUCTION TEAM
IGN

EMERGING TALENT
Vic Hood – Freelance

An award for the MOST INFLUENTIAL was also announced, with The Guardian’s Games Editor Keza MacDonald picking up the prestigious trophy.

The awards were hosted by writer, editor, producer, and trainee pro wrestler Simon Miller and hosted at the Rich Mix venue in Shoreditch.

Supporting the very first Games Media Brit List Awards were Trailblazers from Rising Star Games, Belong by GAME, Reality Clash, Bossa Studios, Hitman Definitive Edition from Warner Bros, Vuelio, Jägermeister, plus industry bodies Ukie, TIGA and ERA.

The next Games Media Brit List will take place on Thursday, May 16th 2019 – More details will be announced soon at www.gamesmediabritlist.com .

Alternatively, follow the Games Media Brit List on Twitter or sign up to the GMBL email newsletter to receive updates.

Lisa Carter, Event Director at Games Media Brit List, said: “We’re absolutely delighted with the response we’ve had to the first Games Media Brit List Awards. To see such positivity in the room, with friends, peers and rivals cheering each other was absolutely brilliant.

“A huge congratulations to all the winners, a big thank you to our partners who helped make it happen, and apologies for any sore heads. See you all again in 2019!”