Train2Game News The journalists YOU want to be friends with

The winners of the first Games Media Brit List Awards were revealed last night at a fun-filled ceremony in Shoreditch, London.

The new awards event celebrated the very best in games writing and broadcasting, and attracted nominations from across the spectrum of the games media – from specialist consumer journalists, B2B reporters, eSports presenters, YouTubers, streamers, media brands, national media reviewers and more.

The winners were:

BEST CRITIC
Christian Donlan – Eurogamer

BEST REPORTER
Ben Barrett – Freelance

BEST FEATURES WRITER
Tamoor Hussain – Gamespot

BEST VIDEO PRESENTER
Chris Bratt – Eurogamer

BEST STREAMER
Eurogamer

PODCAST/RADIO SHOW
Adam Rosser – Radio 5Live Game On

BEST PRINT EDITORIAL TEAM
Edge

BEST ONLINE EDITORIAL TEAM
Eurogamer

BEST VIDEO PRODUCTION TEAM
IGN

EMERGING TALENT
Vic Hood – Freelance

An award for the MOST INFLUENTIAL was also announced, with The Guardian’s Games Editor Keza MacDonald picking up the prestigious trophy.

The awards were hosted by writer, editor, producer, and trainee pro wrestler Simon Miller and hosted at the Rich Mix venue in Shoreditch.

Supporting the very first Games Media Brit List Awards were Trailblazers from Rising Star Games, Belong by GAME, Reality Clash, Bossa Studios, Hitman Definitive Edition from Warner Bros, Vuelio, Jägermeister, plus industry bodies Ukie, TIGA and ERA.

The next Games Media Brit List will take place on Thursday, May 16th 2019 – More details will be announced soon at www.gamesmediabritlist.com .

Alternatively, follow the Games Media Brit List on Twitter or sign up to the GMBL email newsletter to receive updates.

Lisa Carter, Event Director at Games Media Brit List, said: “We’re absolutely delighted with the response we’ve had to the first Games Media Brit List Awards. To see such positivity in the room, with friends, peers and rivals cheering each other was absolutely brilliant.

“A huge congratulations to all the winners, a big thank you to our partners who helped make it happen, and apologies for any sore heads. See you all again in 2019!”

Train2Game News London Games Festival celebrates BAME

London Games Festival 2018 will launch a new exhibition of work by UK games creatives from BAME (Black, Asian and minority ethnic) backgrounds this April.

Ensemble highlights the significant contribution BAME creatives have made to the UK’s games culture at every level, focusing on up to eight artists and delving into their work.

Ensemble aims to inspire the next generation of game developers from all backgrounds, offering a fresh angle on game development as a creative process. It will also showcase how diverse talents and perspectives are vital for building more diverse digital worlds and creating the games of the future.

The London Games Festival has enlisted Sharna Jackson to curate Ensemble. Jackson has a wealth of experience in digital initiatives within arts and cult and has held roles at Tate, Design Museum, The Broad in LA and the Royal Collection Trust and consulted for National Maritime Museum, Museum of Childhood, V&A and Science Museum. She is a trustee at Sheffield Doc/Fest, New Writing North and Upswing, and a non-exec director at Bright Little Labs.

“Important work is being created by minorities, and it’s imperative to highlight these achievements – especially in this climate – and to encourage and support the next generation of talent as they emerge. The show foregrounds the importance of a diverse industry, by demonstrating its significance in the creation of rich and intoxicating worlds and experiences for everyone,” Jackson says.

A steering group that helps guide the exhibition’s content and ethos includes Jackson plus Shahid Ahmad (Ultimatum Games, formerly Sony), Nainita Desai (leading UK composer for BBC, HBO, ITV and more), Kish Hirani (BAME in Games, formerly Sony), Adrian Hon (Six to Start), Nahrein Kemp (Film London), Dr Mitu Khandaker (Spirit AI, NYU Game Center) and Anisa Sanusi (Hutch Games).

Ensemble is supported by the British Council, the UK’s international organisation for cultural relations and educational opportunities.

Ensemble will be unveiled during the larger London Games Festival 2018, which runs from 5-15 April 2018 across the capital, before touring key games clusters in the UK. This includes two days at LGF’s HUB event in Bloomsbury on 9 & 10 April, and other activity to be announced.

The London Games Festival is organised by Games London, a partnership between the capital’s screen industries agency Film London and games trade body Ukie, supported by the Mayor of London’s London Economic Action Partnership (LEAP).

If you are interested in submitting your own work for the exhibition – or want to put forward someone for consideration – contact sharna.jackson@games.london or @sharnajackson on Twitter. The deadline for all recommendations and entries is March 6 – more information at www.games.londo ensemble.e.

For more information on the London Games Festival visit www.games.london . Follow @londongamesfest on Twitter or Instagram for more updates.

Train2Game News UK Mobile Games Studio Undergoes Rebrand

Outplay Entertainment, the UK’s largest independent mobile games studio, has unveiled a transformative rebrand.

Through partnering with multi-discipline design agency JDO, new positioning around the concept of ‘limitless fun’ has been devised, along with a new logo and identity.

This follows a hugely successful 2017, and a year of rapid growth, where the studio reported 1,904% revenue growth since 2013. It ranked 61st as part of the Deloitte Technology Fast 500 – a league table of the fastest-growing technology companies in EMEA, while also placing 11th in the UK Fast 50, and first in Scotland. Topping this off was The Sunday Times Tech Track 100, where Outplay Entertainment ranked 13th nationally.

Richard Hare, President of Outplay Entertainment, comments “Our new visual identity captures the spirit of the business and is uplifting, approachable and authentic. It also guarantees heightened visibility to ensure we continue to thrive in an ever-evolving games industry. From the very start, our goal for Outplay Entertainment was to be associated with fun – and fun is different for every single one of us. Our focus going into 2018 and beyond, is to better understand what this means for all of our players globally. We want gamers to recognise our brand, our titles, and feel connected with our studio.”

On the partnership, Pippa Knight, Head of Strategy at JDO, comments “The key to creating a successful strategy for Outplay Entertainment has been to define the creativity, energy and expertise that will resonate powerfully within the corporate and consumer worlds. The concept we created together – ‘limitless fun’ – is a truth that has inspired the business since inception, and was a natural choice to capture the brand’s core idea. It conveys diversity, inclusivity and has an unstoppable momentum which positions the brand perfectly to inspire continuing progress and success.”

For more information about Outplay Entertainment please visit https://outplay.com/

Train2Game News Rebellion hits 25th birthday


Happy birthday Rebellion! 

The independent UK studio behind Sniper Elite, Battlezone and Zombie Army Trilogy has hit the big milestone, celebrating its 25th birthday this week.

To give this context, Rebellion was formed by Jason and Chris Kingsley on 4th December 1992. It was a time when Mega Drive and SNES were doing battle on the pages of CVG. When Home Alone 2: Lost In New York was just a week away from its long-awaited cinema release. When ‘Would I Lie To You’ by Charles & Eddie stormed up the UK charts.

Yes, people actually bought that single in droves. Truly, they were strange times.

But more importantly, it was also the start of a long and successful journey for Rebellion. From the humble beginnings of Eye of the Storm to the co-op adventuring of Strange Brigade, Rebellion’s story has seen the studio offer gamers new experiences through VR tank showdowns, zombie Hitler battles and the chance to snipe testicles from three postcodes away.

Rebellion’s pop-culture influence even reaches beyond gaming now, as the studio has also become the custodian of all things 2000 AD and Judge Dredd, while Rebellion Publishing pushes the coolest authors and artists from the fringes of counterculture.

As part of Rebellion’s celebrations this week, here are 25 facts about the UK studio… and here’s to the next 25 years!

1) Rebellion was founded in 1992 in Oxford by two brothers – Jason and Chris Kingsley

2) The iconic Rebellion logo was inspired by the Solidarity logo used by the Polish trade union of the same name.

3) The name ‘Rebellion’ comes from the Kingsleys wanting a name to represent how they would ‘do things slightly differently’

4) Five people worked on Rebellion’s first game, Eye of the Storm, compared to Rebellion’s current team sizes of typically up

5) Jason and Chris Kingsley were among the first three people in Europe to hear about the Atari Jaguar

6) Rebellion has developed games for a number of well-known franchises including Aliens vs Predator, James Bond, Harry Potter, The Simpsons and Star Wars

7) Rebellion has developed over 85 games to date

8) Rebellion’s biggest-selling licensed game is The Simpsons Game

9) Rebellion’s biggest-selling original game is Sniper Elite V2

10) Rebellion has 32 platform number 1 games to its name

11) In 2000, Rebellion bought 2000AD

12) Rebellion has made 10 acquisitions throughout its history, including 2000AD and Elixir Studios

13) Over 200 issues of the monthly Judge Dredd Megazine have been published under Rebellion’s aegis

14) Over 800 issues of the weekly 2000AD comic have been published under Rebellion’s aegis

15) Rebellion has published over 1,000 books to date

16) Jason and Chris Kingsley were Producers on the 2012 Dredd film starring Karl Urban

17) Jason and Chris Kingsley are Producers on the new Judge Dredd: Mega City One TV series

18) Rebellion uses its own development engine, ‘Asura’

19) Rebellion has won four awards as a studio, including Best Independent Studio in 2017…

20) …while Rebellion has also won 28 awards for its games, on top of the many awards won by 2000 AD and Rebellion Publishing.

21) Rebellion has developed for 35 different gaming platforms including Amiga, Wii and PlayStation VR

22) Rebellion has over 200 staff across their studios

23) Rebellion is one of the UK’s largest fully independent studios

24) Jason Kingsley was awarded an OBE due to his ‘services to the economy’

25) Jason and Chris Kingsley created the computer graphics for the Adamski’s ‘Killer’ music video featuring Seal

Train2Game News British women game a month a year


Modern British women spend A MONTH of every year playing video games, according to new research.

Researchers from Guinness World Records 2017 (Gamer’s Edition) have revealed the true extent of women’s growing love of gaming.

The study showed the average female spends up to 12 hours a week glued to either a mobile phone screen (8 hours) or a games console (four hours).

Interestingly more than four in ten female gamers said they find it therapeutic and over a quarter said they get a genuine buzz when they successfully complete a level or score sought after points or rewards.

The typical British female has over five gaming apps downloaded to her mobile device and claims she dedicates 15 percent of everyday to playing games and puzzles.

According to the research of 1,500 women, eight in ten prefer to game own their own but 18 percent regularly play with their other half, with 44 percent saying gaming together has brought them closer in their relationship.

However, there is fierce rivalry between couples with over two thirds (68 percent) of females claiming they are far superior than their partner when it comes to gaming.

Phoenix Perry, Lecturer in Computing at Goldsmiths, University of London said: “As someone who works in computing and video game development, these figures do not come as a surprise to me.

“I regularly work with female gamers who will often describe the therapeutic effect of playing and the buzz of succeeding in a game. And of course, it goes without saying that I very much enjoy the experience myself.

“I am a passionate advocate for women in gaming and the tech industry in general, and my work constantly looks for opportunities to bring people together to raise awareness of our collective interconnectivity.

“Studies like this show that the appeal of gaming is anything but exclusive to men, and that can only be a good thing.”

More than two thirds (67 percent) of the 1,000 girls polled said their favourite type of game was a puzzle or pattern game and the most popular place to play was when in bed (54 percent).

Candy Crush emerged as the top game played by the nation’s girl gamers, followed by Angry Birds and Temple Run.

Just over a third (34 percent) said their go-to place to game was on a bus or train and more than one in ten (11 percent) even get tapping away on their smartphone while in work.

However, 23 percent claim their boss has caught them engrossed in an online game once or twice, but a sneaky 77 percent said they play discreetly so that colleagues think they are working.

Interestingly, 28 percent of the females polled think they are a calmer individual since they started gaming and a quarter reckon they have better reflexes.

Nearly a third (31 percent) felt gaming was the best way to get some ‘me time’.

But more than one in ten (11 percent) female gamers said their kids are constantly nagging them to get off their phone and to stop playing games.

TOP 20 MOST POPULAR GAMES (VOTED BY WOMEN)

1. Candy crush

2. Angry birds

3. Temple run

4. Fruit Ninja

5. Words with friends

6. Cut the rope

7. Subway surfers

8. Flappy Bird

9. Despicable Me: Minion Rush

10.Clash of Clans

11.QuizUp

12.Doodle jump

13.Draw me

14.Crossy Road

15.Lara Croft GO

16.Clash Royale

17.Fifa mobile

18.Fallout shelter

19.Real Racing

20.Kingdom Rush 

Train2Game News UK Funding Financers List


Fundamentally Games is pleased to announce its new, free and publicly accessible resource for the U.K. games industry, The Financers List. 

This comprehensive resource provides a directory of all sources of financing available to the games industry in the U.K., from Venture Capital though to government grants and loans.

The resource is curated to provide the most up-to-date snapshot of financial offers available, covering local, national and international level funding across England, Scotland, Northern Ireland and Wales. 

The list will be regularly reviewed to ensure it remains accurate and relevant to developer needs, with Fundamentally Games welcoming input from the industry to keep it up to date. With creative sector entrepreneurs often citing lack of access to cash as a barrier to success, there is a clear and pressing need for such a list, as industry body  UKIE highlighted earlier in the year, noting that “Access to finance is a key barrier to growing the interactive entertainment industry in the UK.”

Ella Romanos, co-founder of Fundamentally Games, remarks “We often work with developers who are searching for funding, and one of the key challenges they face is simply knowing which funding options are  out there. The funding landscape has become complex and vast; we hope that having a directory of funders will give companies a useful starting point for their funding research.”

To see the directory, visit www.financers.fundamentallygames.com .

Train2Game ESports beneficial for children


The British Esports Association, the not-for-profit national body set up to support grassroots competitive gaming, has found that esports can be a beneficial activity for children when played in moderation.
The Association partnered with Westminster City Council and DinoPC for a free two-hour after-school esports training club, running every Tuesday for a month at Maida Vale Library.

The idea was to bring in 10 different children each week from local schools, aged 8 to 14, and give them a taster session on esports, including the careers available and the skills it can develop. The training club featured games of Rocket League, coaching, casting (aka match commentary) and journalism segments, followed by a Q&A.

British Esports has published a video and extensive PDF report reviewing the event, stating some of the key findings.

The pilot scheme was a sellout, with more children and parents signing up to attend than space would allow, showing there is real demand for more regular clubs in schools and libraries in the future. It also secured national and specialist press coverage.

Children and organisers identified several benefits and skills that the esports pilot promoted, including strategic thinking, teamwork, communication, leadership, performance skills and confidence. These skills are transferable and can benefit children in other areas, such as schoolwork, physical sports and general wellbeing.

Nic Carnelutti, marketing manager for DinoPC – which provided the systems for the esports sessions – said: “We believe the educational aspects of what the British Esports Association aims to achieve are highly beneficial to children and younger audiences.

“This scheme encourages young people to learn teamwork and participate in a challenge – building up their social skills which can then be used in other aspects of life.”

British casters Harry “DocDa” Evans and Ryan “Flakes” Oliver were on hand to teach the children commentating techniques.

One of the children, 13-year-old Mohammed Badamasi from Paddington Academy, added: “I think it was extremely fun and I really enjoyed casting and working with my team to win. Commentating is fun, Rocket League is fun – we had to work as a team to score. I would absolutely love to do this again 1000%.”

All of the children that took part in the pilot scheme said they would like to take part in a more regular esports club, either at their own school, nearby library or at a similar event in their area. For more feedback from the participants, please read British Esports’ full library PDF report.

Nick Fuller, Tri-borough Libraries Children’s Services Manager, Schools Library Service, Maida Vale Library, commented: “The new initiative between The British Esports Association and Westminster Libraries offers children a new and exciting experience, which is not only popular and fun, but also develops important skills for such as their strategic skills, emphasizing the need for teamwork and making computer gaming more social. 

“The initiative will help to raise the profile of libraries to young people and a wider audience that libraries are a community space, offering new, exciting and fun activities that many would not associate with libraries. It also gives the children involved the opportunity to mix with other children from different schools and backgrounds.

“The Library Service is hoping that the partnership with British Esports will grow and that the esports offer can continue and be rolled out to more libraries, envisioning thriving leagues and competitions in libraries and across the service.”

Each child received a British Esports certificate, T-shirt and cap after the event.

Going forwards, the Association aims to help other schools and libraries roll out their own esports clubs for children.

Dominic Sacco, Content Director at the British Esports Association, said: “The idea is to better educate Britain regarding the benefits of esports, and to show parents, teachers and children there are viable career paths within the industry.

“There is a real demand for regular clubs at libraries and schools. And by targeting the younger demographic, we are looking at the bigger long-term picture with the goal of creating more British esports talent in the future.

“Also, with the likes of Ukie hosting the Digital Schoolhouse children’s esports tournaments, and several universities starting to offer esports modules, it’s a very exciting time for esports in Britain. We look forward to future developments.”

Train2Game News 2D Animation Engine 


​Midas Touch Interactive, a groundbreaking physics based animation and VR/AR interaction technology studio, today released its latest product, Midas Creature – a Directable Automated Animation Engine and workflow for quickly and easily creating complex 2D animations for video games and other creative applications. 

As part of the product rollout, the company is also launching a new website that contains product information along with a purchasing shop.

Midas Creature was developed by Jiayi Chong, a former Technical Director at Pixar Animation Studios whose experience includes working on many feature films, including Toy Story 3, Wall-E, UP, Brave, and Monsters University. Chong’s role at Pixar spanned ten years and involved developing physics simulation tools and engines, including simulations for rigid body dynamics, deformable solids, cloth, hair, fluid dynamics, and skin simulation tools. In his role as Technical Director of Animation for Midas Touch, Chong leads his team on creating cutting-edge animation pipeline and service, such as Midas Creature, that is made available to both internal projects as well as licensing partners.

“Midas Creature is the ideal pipeline for game developers and anyone else looking for a more powerful, efficient, and easy-to-use 2D animation process,” said Kevin He, CEO of Midas Touch Interactive. “The Directable Automated Animation Engine of Midas Creature allows you to create animations you might have previously thought impossible with key frame or flash animation. This includes motion like hair and cloth fluttering in the wind, as well as 3D-to-2D Mocap transfer.”

Video game developers and others can use Midas Creature’s powerful Skeletal Rigging and Animation tools to build, pose, warp, and bring their art to life. These tools are made to streamline the user’s workflow, reducing time and money spent while maintaining high-quality results.

“We’re very excited to have Jiayi on our team as he brings tremendous passion and expertise,” continued He, “which he utilizes to build and implement our next-gen AI driven physics based animation pipeline helping to further establish Midas Touch Interactive as a burgeoning immersive entertainment technology expert developing cost effective and deeply interactive content creation services.”    

Midas Creature caters to 2D developers of all sizes with its “Creature Enterprise” and “Creature Indie” levels. Enterprise is a premium offering that gives users everything they need to get started using Creature for their company and projects. This is the full-featured version of the tool and gives users a license for Sprite Bump, a normal mapping tool that gives 3D lighting effects to 2D images. Unlimited support tickets are included in the Enterprise package. And for first-year Enterprise customers, a Creature Lead Engineer will offer one hour a month of feedback on their projects. “Creature Enterprise” is offered as a subscription, renewed annually.

Indie is designed for small-scale development teams who prefer more flexibility without an annual commitment, while still offering product complete features and support for indie teams to realize their animation needs. The “Creature Indie” license is available to those with less than $100,000 in gross revenues in the current year, and can be purchased for $19.99 per seat for a 30-day license and to be renewed month-by-month. Committed to inspiring young and aspiring creative developers, Midas Touch is also offering students a version of Midas Creature that allows them (with proof of enrollment/student ID) to use the tool free for one month.

Midas Creature is a blend of traditional tools and new technologies. Both premium levels will have comprehensive customer support to aid user needs.  Early adopters have used Midas Creature and seen positive benefits, including a 10x increase in speed of art pipeline performance (source PlayStudios).

Midas Creature is available at the shop page: http://www.creature.midasphysics.com/shop

Train2Game News UK Games Fund

​Consider yourself the next Kojima? Ready to become the next Rocksteady? Maybe you’ve got the skills to become a future Meier?
UK games developers could be in with a chance of securing up to £25,000 of government funding, as the hunt begins to find the UK’s next big video game.

The UK Games Fund is inviting developers to apply for the grants in a bid to support video games projects and help develop new talent.

The fund, which in now its third round, has so far helped 50 developers from across the nation see their gaming dreams transformed into reality thanks to more than £1.3m in government grants. 

Minister of State for Digital and Culture Matt Hancock MP said:

“The UK is a world leader when it comes to making video games, and we’re determined to make sure this continues long into the future.

“Our UK Games Fund has already helped many young games companies turn prototypes into a reality. Together with the Government’s video games tax reliefs this shows how we’re supporting this dynamic sector to attract further investment and new talent.”

The UK’s video games sector plays a vital role in the country’s thriving creative industries, which contributes £84 billion to the economy.

Video games developer Sensible Object, who successfully applied for funding from the first round of the UK Games Fund, have brought their game “Beasts of Balance” to life thanks to the government grant. About to be launched in retailers including John Lewis, “Beasts of Balance” is an ambitious mixture of a physical tabletop and digital game in which players stack beast-shaped pieces into a balancing tower that’s scanned by a connected smartphone or tablet.

On a visit to the Sensible Object studios in Somerset House, the Minister was shown how the developers have developed their designs and are now bringing them to market.

Alex Fleetwood, Sensible Object founder, said:

“Launching any venture is fraught with risks, but creative businesses like game companies come with even more challenges and the UK Games Fund is a very timely form of support for those that hope to grow and succeed in that area.

“The fund is well-run, straightforward to apply for, and clear in its decision-making, making it a valuable asset to game companies like ours and the industry as a whole.”

The Government’s UK Games Fund is aimed at supporting new video games businesses, encouraging talent, accelerating growth in regional games clusters and complements UK’s video games tax relief. Many small businesses lack the capital to help develop their ideas and attract private investment. The Fund has been created to help bridge that gap and help developers take their ideas from the drawing board and into production.

Paul Durrant, head of the UK Games Fund, said: “We’re really excited about this funding round, given the high demand and the quality of projects we’ve seen so far. It’s also good to see the success stories arising from our support. Sensible Object’s rapid progress shows just what we can achieve when we assist the UK’s top games development talent.”

  Dr Jo Twist OBE, CEO of Ukie,  said: “The UK is home to some of the world’s best and brightest creative games talent, and support from the UK Games Fund has already helped many projects get a much needed boost towards development and funding. The fantastic games that have already emerged from previous rounds shows what a huge asset this fund is to the games sector in the UK, and Ukie is proud to continue supporting the project through this next round.”

To apply for funding visit: ukgamesfund.com

Train2Game News Pokémon GO Europe release coming soon

Th​e Pokémon Company International and Niantic, Inc. are excited to announce the launch of the long-awaited mobile game Pokémon GO, which is now available for download at no cost on the App Store and Google Play. 
Pokémon GO is currently available in the United States, Australia and New Zealand, and will be coming soon to Canada, Europe and South America.
In Pokémon GO, players around the globe will explore their surroundings to find and catch wild Pokémon hiding in their midst. Some wild Pokémon appear in their native environments—for example, Water-type Pokémon may appear near lakes and oceans. Once players have encountered a Pokémon, they can catch it by using their smartphone’s touch screen to throw a Poké Ball. Poké Balls and other special items can be found at PokéStops located at interesting places, such as public art installations, historical markers and monuments.

Pokémon GO’s features include:

·         Catch Pokémon: Pokémon GO invites players to step outside, walk around and catch wild Pokémon. As players increase in level, they’ll be able to catch more-powerful Pokémon and gain access to more-powerful items. While working to complete the Pokédex, players will be able to evolve Pokémon by catching multiples of the same species and can even find Pokémon Eggs which hatch after a player walks a specific distance. Players are encouraged to keep exploring and encountering the many different Pokémon needed to complete the Pokédex!

·         Join a Team and Battle: Players can join one of three teams, Mystic, Instinct or Valor  and assign Pokémon they have caught to an open Pokémon Gym location or to a Gym claimed by a fellow team member. Teams must battle against the defending Pokémon in their rival teams’ Gyms to lower a Gym’s Prestige and claim the Gym for their own team. Cooperation amongst team members is important in securing as many Gyms as possible.

·         Share the Fun: Activate the camera feature to take photos of Pokémon encountered in the world. With their real-life surroundings providing a backdrop for these photos, players will be able to share these memorable moments with their friends.

·         Customise the Trainer Avatar: Players can choose from a range of apparel and accessories to match their in-game avatar with their personal style. The customised avatar will appear on the map as players move around, as well as on their profile page. Trainer’s avatars will also appear in Gyms under their team’s control.

·         Soundtrack by Junichi Masuda: Pokémon GO will feature all-new music composed by GAME FREAK’s Junichi Masuda. Mr. Masuda has worked on Pokémon video games since the very first games and has composed many of the classic and memorable songs that have inspired fans for decades.

In-app purchases will be available for players who would like to enhance their Pokémon GO experience. Players can purchase PokéCoins, the in-game currency of Pokémon GO, which can then be exchanged for power-ups and extra items.

The Pokémon GO Plus device is a portable accessory that will enable Pokémon GO players to enjoy the game even while they’re not looking at their smartphones. This optional device connects to a smartphone via Bluetooth and notifies the player about events in the game using an LED and vibration. In addition, players can catch Pokémon or perform other simple actions by pressing the button on the device.

A brand-new launch trailer for Pokémon GO can be found here: https://www.youtube.com/watch?v=EmhyG_d1QKU

For more information, and for details on compatible devices, please visit www.PokemonGO.com .